José María Sánchez García

Europan 11 . MONTHEY

José María Sánchez García . europan

The proposal is bornt from an interpretation of the place as the footprint of the industries prior to urbanization. Existing traces define our schedule.
The conceptual idea is based on the density distribution of the program throughout the place, focusing on program bands that alternate density variable green outdoor spaces and covered spaces where the construction program focuses. Seguir leyendo «José María Sánchez García»

José María Sánchez García

Rosângela Rennó

Imemorial . 1994

+ Rosângela Rennó

In her series Immemorial (1994), Rosângela Rennó showed an installation of fifty photographs that yield dark portraits of workers and children who built Brasília, the capital whose architectural design was championed for its utopian vision. In a warehouse of the Public Archive of the Federal District, Rennó found suitcases of more than 15,000 files concerning the employees of the government construction company Novacap. In Immemorial, she uses stories that told of a massacre in the workers’ barracks and of dozens of workers who had died in the building of Brasília and been buried in the foundations. In the archives, these workers were classified under the heading ‘dismissed due death’.
Charles MEREWETHER Seguir leyendo «Rosângela Rennó»

Rosângela Rennó

Herzog & de Meuron

Museu Blau . Museum of Natural Sciences . Barcelona

renders: Herzog & de Meuron . Museu Blau . fotos interior: miquel del río . + fotos: 1 . 2 . video

Relocating the Museum of Natural Sciences into the Forum Barcelona building signals the beginning of a new life cycle for both institutions: one where each mutually benefits from the space, program and potential of the other. With its large exterior and interior spaces and its reference to natural processes and shapes, the architecture of the Forum is a particularly appropriate new home for the relocated Museum. And the Museum of Natural Science promises to energetically revitalise the existing building, replacing vacant space with intense new public activities.
The open public space that marks the approach from the Diagonal and extends under the triangular body of the building is now diversified and activated, engaging with the life of the city. The corner addressing the city centre retains its function as the main public approach. This is enhanced by the three existing pavilions which are reconfigured to provide meeting places for groups and general information along the approach to the museum entrance. The second corner, further along the Diagonal is enlivened with lush external planting and the basin under the water patio. And finally, the corner addressing the sea is activated by a new exterior dining area for students and groups, adjacent to a bar which opens onto the plaza. The interior of the elevated triangular building, which is like a vast interior landscape, structured by patios, creates a specific space well suited to an exhibition of Natural science and to the Museum’s demand for growth and need to display more of its outstanding collection. Seguir leyendo «Herzog & de Meuron»

Herzog & de Meuron

BIG

Kimball Art Center . Park City . UT

BIG

In approaching the design for the new Kimball Art Center, we found great inspiration in the urban development of Park City, the Kimball site, and the city’s mining heritage. We feel the form of the new Kimball Art Center emerges where these rich stories overlap.
We were particularly moved when a long-time resident of Park City spoke nostalgically about the former Coalition Building, which once stood just south of the Kimball site. It stood 80 feet tall for 80 years as an iconic landmark for Park City and a monument to the mining heritage, until a fire tragically brought it down in 1982. We wanted to recreate some of its attributes in the new Kimball Art Center – not only the proportions and materiality but the history it represented. Seguir leyendo «BIG»

BIG

PKMN [pac-man]

masj [arts municipal museum] . Alcázar de San Juan

PKMN [pac-man]

La ampliación y reforma del Museo Municipal de Alcázar de San Juan se construye en torno a tres principios fundamentales: la gestión ecológica de los recursos públicos, la polivalencia y flexibilidad de los espacios expositivos y la continuidad activa de la identidad a través de la memoria del lugar. Seguir leyendo «PKMN [pac-man]»

PKMN [pac-man]